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Day Three

Chaplin


'Where Does The Laughter come from?'
With Neil Brand

Date: Saturday 15th January 2005
Time: 2pm
Venue: Watershed, Cinema 3
£5.00/£3.50 cons and Bristol Silents members


* SOLD OUT *

'Music in the cinema makes us cry, think, feel, fear but can it make us laugh?   And if so, why? Neil Brand tries to make sense of the mercurial nature of music and comedy with clips from sound films, his own improvisations to clips from comedy shorts and one one-reel comedy he will play live without having seen it before! Pulling in the arts of the writer, actor, composer and critic, Neil takes a sidelong look at the human condition at its most joyous and absurd and discovers in the process how music affects us all.' www.neilbrand.com

Laurel and Hardy

Forgotten Laughter I (100mins)
With Paul Merton and David Wyatt

Date: Saturday 15th January 2005
Time: 4pm
Venue: Watershed, Cinema 3
£5.00/£3.50 cons and Bristol Silents members


* SOLD OUT *

‘Forgotten Laughter’ is an opportunity to experience a selection of masterful comedy shorts from lesser-known silent comics. Films have been sourced primarily from private collections.

Chosen for their skill in comic execution this first selection includes rare screenings of SWORD POINTS (1928) with Lupino Lane. IT'S A GIFT (1923) starring Snub Pollard. Billy Bevan and Sid Smith in LIZZIES OF THE FIELD (1924) and PASS THE GRAVY (1928) with Max Davidson. We close with the Charley Chase classic HIS WOODEN WEDDING (1925). A rare chance to see these excellent comedies.

Harold Lloyd

Silent Jackdaws
With Paul Merton


* SOLD OUT *

Date: Saturday 15th January 2005
Time: 6pm (100mins)
Venue: Watershed, Cinema 3
£5.00/£3.50 cons and Bristol Silents members

Contrary to popular belief the great silent clowns of the past, whilst acknowledged masters of their art and great innovators, were not averse to ‘borrowing’ gags or ideas from their fiercest rivals. Using a series of carefully chosen extracts Paul Merton, in discussion with David Robinson, looks at this habit of creative ‘stealing’ among the silent greats including Keaton, Lloyd and Chaplin. From this intriguing and entertaining exploration emerges a greater understanding and appreciation of their art.

Plus: Paul acknowledges his own debt to the silent clowns with a rare screening of his own short comedy: SUICIDAL DOG (2000).