Day 1 | Day 2 | Day
3 | Day 4
Day Three

'Where Does The Laughter come from?'
With Neil Brand
Date: Saturday 15th January 2005
Time: 2pm
Venue: Watershed, Cinema 3
£5.00/£3.50 cons and Bristol Silents members
* SOLD OUT *
'Music in the cinema makes us cry, think, feel, fear but can it make us laugh? And
if so, why? Neil Brand tries to make sense of the mercurial nature of music
and comedy with clips from sound films, his own improvisations to clips from
comedy shorts and one one-reel comedy he will play live without having seen
it before! Pulling in the arts of the writer, actor, composer and critic, Neil
takes a sidelong look at the human condition at its most joyous and absurd
and discovers in the process how music affects us all.' www.neilbrand.com

Forgotten Laughter I (100mins)
With Paul Merton and David Wyatt
Date: Saturday 15th January 2005
Time: 4pm
Venue: Watershed, Cinema 3
£5.00/£3.50 cons and Bristol Silents members
* SOLD OUT *
‘Forgotten Laughter’ is an opportunity to experience a selection
of masterful comedy shorts from lesser-known silent comics. Films have been
sourced primarily from private collections.
Chosen for their skill in comic execution this first selection includes rare
screenings of SWORD POINTS (1928) with Lupino Lane. IT'S
A GIFT (1923) starring
Snub Pollard. Billy Bevan and Sid Smith in LIZZIES
OF THE FIELD (1924) and
PASS THE GRAVY (1928) with Max Davidson. We close with the Charley Chase classic
HIS WOODEN WEDDING (1925). A rare chance to see these excellent comedies.

Silent Jackdaws
With Paul Merton
* SOLD OUT *
Date: Saturday 15th January 2005
Time: 6pm (100mins)
Venue: Watershed, Cinema 3
£5.00/£3.50 cons and Bristol Silents members
Contrary to popular belief the great silent clowns of the past, whilst acknowledged
masters of their art and great innovators, were not averse to ‘borrowing’ gags
or ideas from their fiercest rivals. Using a series of carefully chosen extracts
Paul Merton, in discussion with David Robinson, looks at this habit of creative ‘stealing’ among
the silent greats including Keaton, Lloyd and Chaplin. From this intriguing
and entertaining exploration emerges a greater understanding and appreciation
of their art.
Plus: Paul acknowledges his own debt to the silent clowns with a rare screening
of his own short comedy: SUICIDAL DOG (2000). |